The Empathy Exams

A narrative walkthrough of the book’s core ideas.

Leslie Jamison

21 min read
1m 48s intro

Brief summary

The Empathy Exams argues that true empathy is demanding labor, not just an instinct. It requires us to witness another's pain with curiosity and patience, even when their suffering is confusing or hard to explain.

Who it's for

This book is for anyone interested in caregiving, medicine, writing, or the complex ethics of how we relate to other people's pain.

The Empathy Exams

Audio & text in the Readsome app

Introduction: What Empathy Requires

The role of a medical actor, or "standardized patient," involves inhabiting the lives of the sick to train future doctors. Leslie Jamison describes this work as a highly regulated performance where actors are given detailed scripts outlining not just physical symptoms, but the deep histories of their fictional personas. These histories include family tragedies, drinking habits, and the specific ways they should express or withhold their pain. The goal for the medical students is to navigate these encounters and successfully demonstrate empathy for the patient's situation. This requirement highlights a fundamental tension, as empathy in a clinical setting is often reduced to a formulaic script despite being the most vital bridge between two people.

True empathy requires more than just reciting the right phrases or maintaining a caring tone. It is an act of inquiry and imagination that acknowledges the vast, hidden context behind a person's suffering. As Jamison portrays characters like Stephanie Phillips, a young woman whose grief over her brother’s death has manifested as seizures, she realizes that empathy is not just listening. It involves asking the right questions to bring a person's difficulty into the open. It is the recognition that trauma has no discrete edges, often bleeding across boundaries and turning sadness into physical convulsions. Empathy is a kind of travel into another person’s pain, requiring one to cross a border and ask what laws and landscapes exist in that foreign territory.

The boundary between acting and reality often blurs, as Jamison reflects on her own experiences with an abortion and heart surgery. During a difficult winter, she found herself on the other side of the paper gown, navigating her own physical and emotional vulnerability. She recalls the frustration of seeking empathy from a partner and doctors, only to find that people often struggle to meet the depth of another's needs. Her cardiologist’s coldness during a phone call about her abortion left her feeling foolish for crying, while her boyfriend Dave’s suggestion that she was making things up highlighted how easily pain can be perceived as a bid for attention. These moments reveal that empathy is perched precariously between a gift and an invasion, requiring the humility to admit you know nothing about the other person's internal world.

Ultimately, empathy is not a passive reflex but a deliberate choice and a labor. It is a structure built with effort, involving sensitivity, social confidence, and the courage to enter another’s world. While scientific studies show that the brain’s pain centers light up when we witness others suffering, there is a risk of simply projecting our own fears onto others rather than truly seeing them. Genuine care often looks like the calm assurance of a surgeon who understands that a patient needs stability more than a shared sob, or a partner who is willing to lie down in a mess of hospital wires just to be present. Empathy is the disciplined intention to stay with someone in their damage, moving past the checklists to find a shared, quiet humanity.

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About the author

Leslie Jamison

Leslie Jamison is an American novelist and essayist known for her work that blends memoir, journalism, and cultural criticism to explore the complexities of the human experience. A contributing writer for *The New York Times Magazine* and a professor at Columbia University, her writing is acclaimed for its intellectual and emotional depth, particularly on subjects like empathy and addiction. She is considered a significant contemporary voice in nonfiction, often compared to writers like Joan Didion and Susan Sontag.

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